Books and book reviews

The importance of reading at home to strengthen family ties

Many times, the fast-paced lifestyle negatively affects family relationships. Stress, technology and lack of time are some of the factors that cause the distance between parents and children.

For this reason, it is important to develop new activities to strengthen family ties. An excellent practice is to share reading as a family, which also develops the reading habit in children.

The benefits of reading

Reading is a beneficial habit for young and old alike. Reading regularly stimulates the imagination, increases vocabulary and also helps us to speak and write better.

Likewise, a study carried out by the Department of Sociology at the University of Oxford, mentioned that reading is also related to the future success of young people. For this, 20 thousand young people were interviewed to see what they did in their free time and they found that those who read for pleasure, accessed more management positions in their adulthood.

Tips to encourage family reading

Spending time with the children

Spending time with the family encourages communication between parents and children. It is a time when you enjoy loving, learning, and developing. For example, 30 minutes may be enough to listen to or read with them. In this way the reading habit will develop.

Create a reading space

At home we have an environment to cook, another to rest, among others. Therefore, the little ones also need an environment dedicated to their reading. And, according to experts, space has an influence on the teaching-learning process. This concept revolves around neuroarchitecture.

“” Neuroarchitecture is a discipline that explains how the design of an environment influences brain chemistry, and therefore, emotions, thoughts and behaviors. Its function is to create spaces for happiness, well-being, productivity and quality of life. For example, architectural designs with high ceilings are appropriate for creative and artistic activities, ” says Eva Guerrero, editor-in-chief of the Eldulcehogar platform.

Know their tastes

Fortunately there are different literary genres: poetry, drama, legends, fantasies or fables. It is important to vary the content and style of the reading. In this way, parents will recognize what their children’s tastes are. It’s also important to find age-appropriate books. When they are younger, for example, books with pictures and graphics are the most recommended.

Understand reading as a game

Children need to love reading. So, you have to get them to see reading as just another game. For this, a series of activities can be programmed around the book, and its history. For example, dramatize the story to make it more playful.

The five best youth books on the market

Reading is an increasingly rare habit among people. However, books are always available to more people, whether in their physical or virtual edition. EBooks are tools that are very useful, especially when it is impossible to find a book in a library.

One of the sectors most familiar with reading information online is young people. Internet access has promoted the habit of reading in children and adolescents, which is why it is considered that youth reading is going through a “golden age”.

Here is a list of the five best youth books on the market.


Invisible is Eloy Moreno’s first book, which also catapulted him to fame for the countless literary awards he won. According to the specialized portal, REVIEWBOX, through this work the author presents us with a parable about bullying, which is exposed in an open and unapologetic way. For many, this book constitutes a mandatory reading in schools and institutes, both for adolescents and for parents and teachers.

Axlin’s bestiary

Laura Gallego occupies an important place among authors specialized in juvenile literature. Proof of this is its vast literary production and the various awards it has received, such as the National Prize for Children’s and Young People’s Literature.

In Axlin’s Bestiary, the first installment in her Guardians of the Citadel saga, the author tells stories set in a fantasy world, full of monstrous creatures. Only one young woman, Axlin, seems prepared to face them, so she decides to embark on an exciting, but dangerous journey.

Hush, Hush

This title is part of a saga of four novels that are the main production of the North American Becca Fitzpatrick. The enormous success has dazzled millions of young people in more than 15 countries. The book tells the story of Nora Gray, a young woman attracted to her college classmate, who is actually a fallen angel who only seeks to become human. It is a work recommended for people over 12 years old.

I want you to meet someone

Through this novel, Estefanía Yepes tells how a summer love can mark a lifetime. The great success of this literary production has been due, to a large extent, to its ratings in the main online bookstores. The style is accessible to all audiences, and the way the writer tells the story causes the book to be devoured almost immediately.


Brandon Sanderson is one of the most famous writers among young people. This science fiction novel tells the story of a group of humans, who live on a distant planet, which is infested by aggressive beings. Spensa, a young woman who dreams of being a pilot, is humanity’s last hope.

A tribute essay to the fable Rebellion in
the farm (1945)

The first to go out of style are the words we use to express the present. Worried about the impending catastrophe, we fail to understand that the catastrophe has already happened. For lack of a better term, we willingly submit to the tyranny of novelty and its confusions, when we should heed the lessons of experience. Literature has the ability to name what happens in timeless verdicts. Some allegories combine politics and poetry. The limits of discourse have been stretched until they are broken, only a few manage to reach agreements based on our disagreements.

One of them is perhaps the fable Rebellion on the farm (1945), where the British writer and journalist George Orwell (Motihari, British Raj, 1903 – London, 1950), is shown as a creator of alternatives, capable of dissecting each situation specific at crossroads of meaning. In the opinion of the Scotsman Christopher Rush (1944), the frequent use of the author’s work from 1984 (1949) allows us to assimilate the strength of his configurations in permanent constructions: “The patterns justify each other, so that the motto follows being corrupt and perverse: all animals are equal but some are more equal than others (my translation, like the rest) ”.

His most famous artifact reminds us that we need the gifts of the apologist to feel the pulse of the fever of the moment. In him the monstrosity of the Soviet regime is embodied, reread not in the present, but in the future of a language, “clear the style, simple the story”, which borrows its proverbial wisdom from colloquial discourse. “An American publisher rejected it, arguing that nobody would be interested in a bug story,” says the journalist, “when it was published shortly after, some bookstores did not hesitate to include it in the children’s section.” We can trust the member of the Independent Labor Party, argues the former professor of literature in Edinburgh, to grasp the terrible lessons of our collective past without betraying them, turned into storytelling.

“What is wrong?

Human nature, bent on getting in the way of revolutionary ideals. The masses, never too willing to say enough. The bullies, who take advantage of these, to steal their control. What the Orwellian parable describes is the ability of propaganda to empty our receptive spaces, undermining the reliability of experiences. What the English classic defends is common sense, that accessory knowledge that allows us to identify the essential. His country dream of tolerance in the middle of an abstruse world reflects the anxieties of democracy, that necessarily imperfect system, which falters if it does not reflect the peaceful balance between the different terrors that undermine it.

The literature of the creator of Big Brother becomes a weapon of mass education, protecting us from the threats of our own predictions. By sounding the alarms, it warns us not about what is going to happen, or not, at least, as we imagine. We read his dystopian account as an omen or a preview of the totalitarianism that engulfs us, the chronicle of “a betrayal: that of the individual and his ideals, at the hands of entire nations. If satire consists in highlighting the fragility of our institutions through laughter, indignation or contempt, there is no satire greater or more true than Rebellion on the farm ”.

It is not intended to describe a reality, but to make said reality conform to the pre-established chimera. Thanks to the bitter lessons of Nazism and Communism, we have managed to reduce indeterminacy to a few rules of collective action. The constant improvisation that erodes us has to do with the lack of imagination of the experts. The article by the author of Sex, Lies and Shakespeare (2009), in the spring issue of the British magazine Slightly Foxed, shows that the hilarious scenes of our unease were described years ago by the British Aesop who did not hesitate to affirm: “Yes freedom means something, it is the right to tell people what they do not want to hear ”. Paraphrasing Rush, it could be said that the polarization we experience was foreseen by that contemporary who, by shedding light on his own times, did so on ours.